So I know I’m light-years behind on posting about these, but recently I was reminded of one of the coolest photography techniques I’ve seen in recent years: the Vertorama.

What is a Vertorama? As Photojojo joked, they’re “just like panoramas, only more vertical.” Basically, a vertorama is comprised of two or more horizontal images stitched together vertically with image editing software. There are several advantages of creating vertoramas, but the two most compelling to me are 1) far greater detail in both the foreground and the background and 2) the (simulated) huuuuuge viewing angle.

I’ve included some of my favorite NYC vertoramas below, featuring work from two of my favorite NYC photographers, Peter Kruger and Vitaliy Piltser.

If you’d like to see loads more, check out this great Flickr group. And if you’re interested in trying out the technique for yourself, here’s a quick tutorial! Any vertorama veterans, please feel free to leave tips in the comments!

“9/11 Tribute Lights,” [a four-photograph composite image] by Vitaliy Piltser:
9/11 Tribute Lights.

“A Brooklyn Sunset,” [a 31-photograph composite image] by Vitaliy Piltser:
a brooklyn sunset.

“Manhattan Bridge Vertoramas,” [two three-image composite images] by Peter Kruger:
manhattan bridge vertorama 2manhattan bridge vertorama 1

“Universally Applied,” by Peter Kruger:
universally applied

iphone: the new spy camera?

September 29th, 2010 | Posted by Jill in dumbo | iphone | tips and tricks - (1 Comments)

One of my absolute favorite new cameras to use these days is the one I carry around with me everywhere I go: the iPhone 4. As I posted earlier this summer in advance of its launch, the new iPhone’s features are awesome: a bigger backlit sensor, the upgrade to 5MP, 720p HD video and more.

What I didn’t anticipate is how easy it is to use on the sly — no one suspects anything, and you can use the reverse-photo functionality to shoot behind you (or around a wall, haha). Though it still has a way to go to become even faster and clearer, I’m loving it!

walk to the subway

walk to the subway - manhattan bridgewalk to the subway - bike

walk to the subwaywalk to the subway - pedro's

walk to the subway

After posting a great tutorial from Claire Voelkel earlier this summer, I’ve noticed several people taking her lead and starting to develop their own film at home. Recently, I noticed that photographer Barry Yanowitz was part of this group of self-developing enthusiasts and I reached out to ask him how it’s going so far.

Barry kindly shared his thoughts in this guest blog below, and make sure to check out his growing catalog of self-processed shots for more!

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Ever since I’ve become interested in photography I’ve used a digital camera. Recently though, I’ve been inspired by many of my Flickr contacts who’ve been doing amazing work with film. My interest wasn’t to replace digital, but to spark my creativity with a different way of doing things. So about a month ago I got my father’s old Canon AE-1 and shot my first roll of film in… I can’t remember how long. But I didn’t want to just shoot film, I wanted to control the process from end-to-end and that would mean doing my own developing. Was that even possible without a dark room or investing in lots of expensive equipment?

As it turns out, you can develop right in your kitchen sink. For the Love of Brooklyn recently featured an excellent tutorial by Claire Voelkel. That’s where I started.

I have to admit that at first, the process seemed overwhelming. Chemicals have to be mixed at the right temperatures, film needs to be loaded onto reels inside of a changing bag by feel only, and all of the developing steps need to be applied in the correct order for the right amount of time. So before developing my first roll, I bought a cheap roll of film to practice on. I loaded it on to the reels that came with my developing tank, first outside the changing bag so I could see what I was doing, then inside until I was comfortable doing it blind. I also did a test run of the developing steps with water instead of chemicals to make sure I had all the timings down. By the time I developed my film there were no surprises left and it went smoothly.

For me, the most amazing moment came once I finished developing. I finally got to unspool the reel and see the negatives. It actually works! So far I’ve developed four rolls of film and if you’re on the fence about trying it for yourself, I can wholeheartedly recommend it. It’s extremely satisfying.

Claire Voelkel, whose work we’ve admired for some time now, has written a fantastic four-post series she’s called “Self-Developing 101.” The thoughtful guide contains every instruction you’ll ever need to get started with kitchen sink development — no big lab or special space required!

Check out the links to each of her posts below, and make sure to share your results if you choose to try your hand at developing at home. I’ll definitely be trying this myself sometime in the next few months and can’t wait to expand my horizons into developing! Claire — you rock for sharing this. Thanks so much for this guide, and can’t wait to hear more of your tips in the future!

Part One: The Supplies
Part Two: Mixing Chemicals
Part Three: Loading the Reels
Part Four: Develop the Film!